India- 50m jobs needed

Monday, 20 September 2010

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Financial Review

The Goddess Exhibition

Friday, 9 February 2007

The Art Gallery of New South Wales held a very successful exhibition called ‘Goddess:Divine Energy’ that ended last month.

The all-powerful Goddess has been a source of inspiration and guidance to followers for centuries. Her many manifestations seek to protect, love, comfort, tantalise, champion, seduce, enlighten, save and, most of all, empower.
Goddess: Divine Energy is the first major exhibition in Australia to explore the many manifestations of the divine female in Hindu and Buddhist art. Created as a focus for veneration and meditation, these beautiful works of art are rich with symbols that convey the many lessons and insights the Goddess provides as she guides towards attainment and ultimate bliss. The power (shakti) and wisdom (prajna) of the Goddess resides within each one of us waiting to be awakened.
Over 150 exquisitely carved sculptures and delicately composed paintings from India, Tibet and Nepal, dating from about 2000 BCE through to the 20th century, have been gathered from collections around the world for display.
Goddess: Divine Energy offers a rare opportunity to delve into the world and wisdom of the Goddess. An extensive events program of film, performance, talks, meditation and music accompanies this exhibition.

The event was very well curated with art collected from several sources including Neplalese and Tibetan depictions of goddesses and represents a new willingness to explore the art of India in a major event. The Gallery also took a lot of steps to include the Indian community and organisations such as the local Hindi School, the Indian Tourism Office, Bharatiya Vidya Bhavan and the Bengali Association. The latter in fact were instrumental in bringing three craftsmen from Bengal to make an image of Durga over several weeks. This murti was then ceremoniously immersed in the waters of Parramatta River after a procession. The Association also provided volunteers to be present at the exhibition to answer questions from the visiting public.

Female figure India, Madhya Pradesh, Chandella period (c 831–1308), c1000s Bharat Kala Bhavan, Varanasi. Gift of Walter Spink

There were dances, film screenings, talks, teachings, Diwali celebrations, workshops in aromatherapy and painting and celebrity talks (including the author of Holy Cow, Sarah Macdonald). For children they had a school holiday workshop and even a very nicely produced children’s activity guide for little visitors to the exhibition.

The first task of the craftsmen was to make a small murti of Ganesh whose blessings were then invoked at the inauguration of the exhibition.

A great event and lots of credit should go to the curator of this exhibition, Jackie Menzies, Head of Asian Art at the Gallery and its curator for South and Southeast Asian Art, Dr. Chaya Chandrashekar.

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B-Schools beeline to India

Wednesday, 15 November 2006

It pays to remember that the provision of management education such as MBA degrees, is as much a business as a way to provide certain skills. Indians have been travelling to the US and UK and other countries to get their MBAs for decades. But only now are the worlds business schools making a beeline to set up in India, for ‘research’.

They, like everyone else, have seen the colour of money that the Indian middle class will throw at getting the next status symbol. The pity of it is that we Indians will probably take this as another feather in our cap, smugly telling each other how important we are and how the world is now acknowledging our greatness.

Update: I got sent a link to another story on this.

Sound Horn OK Tata Use Dipper At Night

Tuesday, 14 November 2006

Take a look at this excellent claymation of a Bombay taxi driver who is saving up money to buy an air conditioned cab. The seth, the hijras, the politicians, and other assorted people in this are too real!